Image of Empty fullness: Materiality and spirituality in contemporary Korean art

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Empty fullness: Materiality and spirituality in contemporary Korean art

This book, published in conjunction with the 2014 touring exhibition, explores the profound interplay between materiality and spirituality in contemporary Korean art. Chung Joon‑Mo reframes the Korean monochrome (or “monotone”) tradition often labeled Dansaekhwa not simply as minimalist formalism, but as a deeply spiritual process rooted in repetition, restraint, and transformation. Artists featured in the volume draw upon traditional Korean materials such as hanji (mulberry paper) and moon jars to evoke an aesthetic of “empty fullness” a paradoxical space where emptiness is imbued with meaning, and material presence becomes a conduit for transcendence. This poetics of presence reflects not only a contemplative engagement with tradition, but also a philosophical dialogue about selfhood, process, and the sacred in art.

Ketersediaan
PMKAA00259306.45195 JOO eMuseum KAA (Republic Of Korea)Tersedia
PMKAA00260306.45195 JOO eMuseum KAA (Republic Of Korea)Tersedia
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Informasi Detail
Judul Seri
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No. Panggil
306.45195 JOO e
Penerbit
Seoul : Korea Arts Management Service.,
Deskripsi Fisik
118 pages : illustrations ; 28 cm
Bahasa
English
ISBN/ISSN
978-89-98604-07-3
Klasifikasi
306.4 5195
Tipe Isi
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Tipe Media
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Tipe Pembawa
-
Edisi
-
Subjek
:Republic of Korea--21st century
Info Detail Spesifik
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Pernyataan Tanggungjawab
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Tidak tersedia versi lain

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